| 00:00:21 |
Unidentified Speaker, -
YORK. >> HOW DID IT COME TO YOU TO DO THIS? >>
|
| 00:00:25 |
Unidentified Speaker, -
I HAVE DONE A PAINTING FOR THEM OF PRESIDENT REAGAN. --
|
| 00:00:30 |
Unidentified Speaker, -
I HAD DONE A PANTING FOR THEM OF PRESIDENT REAGAN. THEY WANTED
|
| 00:00:36 |
Unidentified Speaker, -
AN EMBLEMATIC FIGURE OF LINCOLN THAT THEY COULD HAVE.
|
| 00:00:43 |
Unidentified Speaker, -
WHEN THEY WERE FOUNDED, LINCOLN
|
| 00:00:46 |
Unidentified Speaker, -
PLAYED A CRITICAL ROLE. >> HOW BIG IS THAT? LIFE-SIZE. >> LIFE-SIZE. >> HOW DID YOU GO ABOUT THIS, AND HOW MUCH TIME DID THEY GIVE YOU? >> I HAD QUITE...
|
| 00:01:07 |
Unidentified Speaker, -
WAS NO HARD DEADLINE ON THIS. IT WAS UP TO ME. THAT MAY BE GREAT. IN
|
| 00:01:12 |
Unidentified Speaker, -
TERMS OF PROCESS, THE EFFORT IS TRYING TO CAPTURE A LIGHTNESS AND SEE WHAT THE MEN LOOK LIKE AND FELT LIKE AND TRY
|
| 00:01:21 |
Unidentified Speaker, -
TO GET INTO HIS PERSONALITY. NORMALLY, THAT HAPPENS
|
| 00:01:25 |
Unidentified Speaker, -
WITH PHOTOGRAPHS, LOTS OF PHOTOGRAPHS. WE HAVE ALL SEEN THE SAME BLACK- AND-WHITE PHOTOS. THERE IS ALSO A LIFE MASK THAT WAS TAKEN OF HIM WHICH WAS ...
|
| 00:02:01 |
Unidentified Speaker, -
THE MOLD WAS TAKEN
|
| 00:02:03 |
Unidentified Speaker, -
AND THEN WHEN THE MOLE WAS
|
| 00:02:06 |
Unidentified Speaker, -
REMOVED, NORMALLY THERE IS SERIOUS DAMAGE ALL OVER THE
|
| 00:02:10 |
Unidentified Speaker, -
CLAY. IN HIS CASE, HE CAME OUT ALMOST PERFECTLY. >> WHEN THEY MAKE A MOLD, WHAT KIND OF MATERIAL IS IT? >> THE MOLD IS MADE OF RUBBER. PLASTER IS THEN...
|
| 00:02:34 |
Unidentified Speaker, -
RUBBER OVER THIS? >> YES. -- DID A POOR THE RIVER OVER THIS? --
|
| 00:02:42 |
Unidentified Speaker, -
DID A DAY FOR THE RUBBERTHEY POUR THE RUBBER OVER THIS? >>
|
| 00:02:54 |
Unidentified Speaker, -
|
| 00:02:55 |
Unidentified Speaker, -
YES. I COULD NOT BRING MYSELF TO DISCARD A GRANT. >> WHAT DO YOU PLAN TO DO WITH THIS? >> NOTHING. HE GIVES THE COMPANY IN THE STUDIO. HE WILL ONLY LAST...
|
| 00:03:16 |
Unidentified Speaker, -
DO YOU HAVE A CONTRACT TO MAKE THE MOLDS? -- MAKE OTHER MOLDS? >>
|
| 00:03:23 |
Unidentified Speaker, -
|
| 00:03:27 |
Unidentified Speaker, -
THE WERE GIVING THESE AS LANKAN AWARDS. THERE IS A MOLD OF IT. I HAVE A MASTER IN HARD PLASTIC OF THIS SO THAT I CAN MAKE ANOTHER
|
| 00:03:38 |
Unidentified Speaker, -
MOLD. THIS IS TRULY THIS HORRIBLE THING. >> --
|
| 00:03:49 |
Unidentified Speaker, -
THIS IS TRULY A DISCORD WILL -- AND DISCARDABLE THING. I CAN NEVER TRACK THE TIME IT TAKES TO GET FAMILIAR WITH THIS. >>
|
| 00:04:09 |
Unidentified Speaker, -
WOULD BE $100 OR LESS? >> -- WOULD BE $100 OR LESS? -- WOULD IT BE $100 OR LESS? >> IT WOULD BE MORE.
|
| 00:04:29 |
Unidentified Speaker, -
THIS IS THE CORE OF HIS SKULL. YOU CAN MAKE BASIC SHAPES WITH WIRE FOR REINFORCEMENT.
|
| 00:04:36 |
Unidentified Speaker, -
ALL THE REST IS ME APPLYING KLEE AND PUSHING CLEAR AROUND. THERE IS NOTHING MORE SCIENTIFIC THAN YOUR HAND. >> HOW MUCH IS THAT WITH
|
| 00:04:47 |
Unidentified Speaker, -
YOUR -- HOW MUCH OF THAT IS YOUR HAND PUSHING PLAY? >> ABOUT 95%. THIS SCALE IS VERY COMFORTABLE IN YOUR VENDORS ARE SMALL ENOUGH TO MAKE GOOD MOVEMENTS....
|
| 00:05:07 |
Unidentified Speaker, -
WITH THE EYES AND LIPS THAT THAT IS MINOR. >> OTHER THAN THE
|
| 00:05:14 |
Unidentified Speaker, -
LLAUGH MASS, IS THERE SOMETHING ELSE THAT YOU COULD HAVE STUDIED? >> -- LIFE MASK, IS THERE SOMETHING ELSE THAT YOU COULD HAVE STUDIED? >> WAS TRYING...
|
| 00:05:35 |
Unidentified Speaker, -
IT DID NOT HAVE A BEARD IN THE FIRST PHASE, SO I FIGURED IF
|
| 00:05:43 |
Unidentified Speaker, -
I STARTED WITH THAT LANDSCAPE ON THE FACE, I COULD
|
| 00:05:48 |
Unidentified Speaker, -
DISREGARD EVERYTHING THAT A BEEN DONE PREVIOUSLY. >> , AND SCULPTURES HAVE YOU DONE? >> I DO NOT KNOW. IT IS NOT THAT MANY, NUMERICALLY. -- >> HOW MANY...
|
| 00:06:16 |
Unidentified Speaker, -
THE ORIGINAL AGREEMENT
|
| 00:06:18 |
Unidentified Speaker, -
WAS FOR A PAINTING. THROUGH SOME SHIFTS OF TIME AND DECISION MAKERS IT BECAME A JOB TO DO A SCULPTURE. I HAD NEVER DONE A LIKENESS BEFORE. >> HAVE YOU...
|
| 00:06:38 |
Unidentified Speaker, -
WAS IN THE THIRD GRADE. IT WAS SOMETHING FUN TO TRY. >> WHAT DID YOU USE? >> I SCULPTED ON THE EDGE OF A BOOKCASE.
|
| 00:06:52 |
Unidentified Speaker, -
IN TERMS
|
| 00:06:53 |
Unidentified Speaker, -
OF MATERIAL, I CALLED A SCULPTOR THAT I HAD JUST MET. I WENT TO THE LOCAL ART SUPPLY STORE AND PICK
|
| 00:07:05 |
Unidentified Speaker, -
UP -- AND PICKED UP
|
| 00:07:10 |
Unidentified Speaker, -
SCULPEE WITCHES A MEDIUM THAT HE CAN BAIT. -- WHICH IS A MEDIUM THAT YOU CAN BAKE. >> WHAT OTHER HEADS OR STATUES HAVE YOU DONE? >> BAYVIEW. -- A FEW....
|
| 00:07:47 |
Unidentified Speaker, -
GADADUNN, I WILL BE WORKING ON ROSA
|
| 00:07:52 |
Unidentified Speaker, -
PARKS. THESE ARE RELATIVELY SMALL AND THEY BECOME DECORATIVE ELEMENTS THAT ARE CALLED INTO STONE. THE RECENT ONES WAS NEIL ARMSTRONG. I DID ONE OF PRESIDENT...
|
| 00:08:43 |
Unidentified Speaker, -
FOR YOUR SCULPTURES? >>
|
| 00:08:44 |
Unidentified Speaker, -
NOT REALLY. SO FAR, THEY HAVE BEEN HISTORICAL FIGURES. NEIL ARMSTRONG
|
| 00:08:53 |
Unidentified Speaker, -
WAS VERY MUCH ALIVE, BUT THE ASSIGNMENT
|
| 00:08:56 |
Unidentified Speaker, -
THERE WAS TO SCOLD HIM AS A STUDENT. >> DID YOU TALK TO BILL ARMSTRONG AS A
|
| 00:09:02 |
Unidentified Speaker, -
STUDENT? >> YES. IT WAS GREAT.
|
| 00:09:04 |
Unidentified Speaker, -
WE HAD ALMOST AN ENTIRE HOUR TOGETHER JUST THE TWO OF US. >> THE STATUE, IF I REMEMBER WAS WHEN HE WAS IN COLLEGE. >>
|
| 00:09:20 |
Unidentified Speaker, -
|
| 00:09:22 |
Unidentified Speaker, -
ON THE TECHNICAL SIDE, THERE WERE NOT THAT MANY PHOTOGRAPHS OF HIM AS A YOUNGER MAN. SO I HAD A MAJOR HOLE AND HAD NO ACTUAL PROFILE.
|
| 00:09:36 |
Unidentified Speaker, -
I COULD NOT TELL THE SHAPE OF HIS NOSE. IT BECAME A PROBLEM BECAUSE I WAS JUST GUESSING. WHEN
|
| 00:09:44 |
Unidentified Speaker, -
I SAW HIM, HE ALLOWED ME TO PHOTOGRAPH AN ABSOLUTE PROFILE TO SEE WHAT HIS NOSE LOOK LIKE. -- LOOK LIKED FLIGHT. -- LOOKED LIKE. >> HOW YOU GET FROM...
|
| 00:10:29 |
Unidentified Speaker, -
ME TO MAKE A DECISION, WHICH I MADE PRETTY QUICKLY, AFTER STUDYING
|
| 00:10:35 |
Unidentified Speaker, -
IN
|
| 00:10:36 |
Unidentified Speaker, -
LENINGRAD, I KNEW I DID NOT WANT TO PURSUE THAT PATH. ONCE THAT
|
| 00:10:42 |
Unidentified Speaker, -
HAPPENED, THE NEW ENGLAND REGISTER PAY ME TO DO CARTOONS DID I
|
| 00:10:49 |
Unidentified Speaker, -
THOUGHT THAT MAYBE I COULD THINK ON PAPER, MAYBE I COULD SURVIVE. >> WHEN DID YOU SWITCH FROM BEING AN EDITORIAL CARTOONIST TO BEING A PAINTER. >> IN...
|
| 00:11:15 |
Unidentified Speaker, -
COMMISSIONS STARTED TO COME, AND IT WAS VERY GRADUAL. >> YOUR FIRST FACING THE TWO SOLD WAS WHAT? >>
|
| 00:11:26 |
Unidentified Speaker, -
I REMEMBER THE FIRST THING THAT I EVER SOLD. IT WAS A DRAWING. I DID A TALK THAT A SMALL MUSEUM IN JOHNSTOWN, PENNSYLVANIA AND I WAS TALKING ABOUT CARTOONS...
|
| 00:11:44 |
Unidentified Speaker, -
SOMETHING THAT WAS IT FOR SO.
|
| 00:11:48 |
Unidentified Speaker, -
IT WAS A PENCIL DRAWING OF RAMBO. THIS PERSON WAS INSISTED ON BUYING IT. >> TO YOU REMEMBER WHAT IT PAID FOR? >> NO I DO NOT. IT PAID FOR MY TRIP IN...
|
| 00:12:23 |
Unidentified Speaker, -
THIS? NO,
|
| 00:12:25 |
Unidentified Speaker, -
IT IS JUST BEEN TO EXPERIENCE AND TRYING AND PATIENTS. THEY SHOWED ME
|
| 00:12:35 |
Unidentified Speaker, -
THE PROCESS, AND STUDYING, AND MY OWN, I REALLY ENJOYED AMERICAN SCULPTORS. >> WHEN IS FALTERING START? >> >> I HAVE UPDATED THE ROOM WILL. IT IS NO LONGER...
|
| 00:13:10 |
Unidentified Speaker, -
SCULPTURE? AGAIN, I THINK AMERICAN, SUCH AS DANNY FRENCH WHO DID THE
|
| 00:13:24 |
Unidentified Speaker, -
LINCOLN MEMORIAL. HE WAS ABLE TO TELL
|
| 00:13:28 |
Unidentified Speaker, -
STORIES. I THOUGHT THAT WAS EFFECTIVE. THE OTHER WAS THE SAME TIME. AND HE DID A NATIONAL GALLERY. >> WHEN YOU LOOK AT THAT RIGHT NOW, THIS HEAD OF ABRAHAM...
|
| 00:14:13 |
Unidentified Speaker, -
THE CAMERA AND GO MAXIM WITH SEVERE, BUT FROM MY ANGLE, HERE, HE HAS A LITTLE BIT MORE WANT TO HIM. YOU SEE A LITTLE BIT OF THE
|
| 00:14:25 |
Unidentified Speaker, -
ABRAHAM LINCOLN HUMOR. AS THE SUN MOVES ACROSS THE SKY , I COULD LOOK OVER HIS SEE A COMPLETELY DIFFERENT EXPRESSION FROM HOUR TO HOUR. >> WHAT DO YOU...
|
| 00:14:56 |
Unidentified Speaker, -
BILL, YOU HAVE TO KIND
|
| 00:15:00 |
Unidentified Speaker, -
OF FIGHT THE STEREOTYPE IN YOUR HEAD AND TRY TO GET AT WHAT HE WAS TRULY LIKE. WHEN I SEE A FACE OF LINCOLN, I SEE THE TURMOIL IN THE WAKE OF THE WORLD...
|
| 00:15:52 |
Unidentified Speaker, -
PORTRAYED HIMSELF AND PRESENTED HIMSELF IN PUBLIC,
|
| 00:15:55 |
Unidentified Speaker, -
JUST BECAUSE HE KNEW
|
| 00:15:57 |
Unidentified Speaker, -
THAT THERE WAS AN EXAMPLE OF HOW HE WAS KNOWN TO BE THIS SUPERB MIMIC. HE COULD DO AN IMPRESSION OF ANYONE. HE LET HIS OWN TEMPER GO ONCE AND HE RESPONDED...
|
| 00:17:07 |
Unidentified Speaker, -
DID YOU GIVE US AN EXAMPLE OF A CERTAIN PART OF THE STATUE THAT YOU WANTED TO PUT IN BECAUSE OF SOMETHING
|
| 00:17:15 |
Unidentified Speaker, -
YOU KNEW ABOUT HIM THAT WAS SPECIAL? >> I MENTIONED THE HUMOR BEFORE. APPARENTLY, I LEARNED THIS. THERE ARE SOME PEOPLE THAT HAVE DEDICATED A GREAT TIME...
|
| 00:17:40 |
Unidentified Speaker, -
OF INSTANCES THAT SHOW HIS TRUE HUMOR AND THE ABILITY TO THINK AHEAD. WALKING US HIS DOOR AND WATCHING HIM POLISHING HIS BOOTS AND. AND THE LIFE MASK...
|
| 00:19:17 |
Unidentified Speaker, -
FOR A SCULPTURE, IN THIS CASE, IT
|
| 00:19:21 |
Unidentified Speaker, -
IS SUCH A CONCENTRATED DAY, THING, IT IS JUST THE PERSON. >> WHOSE DECISION WAS IT NOT TO HAVE THE SHOULDER? >> MIND. --- MINE. I DID NOT WANT ANY DISTRACTIONS.
|
| 00:19:53 |
Unidentified Speaker, -
AS AN ARTIST, I HAD TO FORGO THE
|
| 00:19:55 |
Unidentified Speaker, -
WONDERFUL TIDE THAT IS CORRECTED AND THE CALLER IS A LOW OF. IT WOULD HAVE BEEN WONDERFUL TO DO, BUT I THINK IT WOULD OF BEEN DISTRACTING. >> HE SAID...
|
| 00:20:29 |
Unidentified Speaker, -
QC, THE HAIR IS STRICTLY BASED ON PHOTOGRAPHS. >>
|
| 00:20:37 |
Unidentified Speaker, -
HOW OLD IS HE HERE? >> I'LL HAVE TO OPEN A TO INTERPRETATION. TO BE HISTORICALLY ACCURATE, HE LOOKS PHYSICALLY YOUNGER HERE THEN HE LOOKED LATER IN HIS...
|
| 00:21:02 |
Unidentified Speaker, -
BUT I WANTED TO SHOW IN BRAZILIAN MAN. >>
|
| 00:21:05 |
Unidentified Speaker, -
WANTED TO DO SPECIAL ABOUT THE HAIR? >> I JUST DID A PERSONAL TOUCH IN TERMS OF SCHOOL TO BECOME LIKE LEAVING A LOT OF THE WORK VISIBLE. HIS
|
| 00:21:26 |
Unidentified Speaker, -
HAIR, WHOSE WRITTEN A LOT ABOUT
|
| 00:21:29 |
Unidentified Speaker, -
HOW ERRATIC AND UNLOAD HIS HAIR ALWAYS WAS. I WANTED TO CONVEY THAT, TOO. >> YOU HAVE SOME TOOLS WITH YOU AND SOME CLAY. YOU JUST TORE A LITTLE PIECE...
|
| 00:21:56 |
Unidentified Speaker, -
PLATE. -- CLEAN CLAY. THE MOST VITAL THING FOR ME, GIVEN THAT I WORKED IN
|
| 00:22:14 |
Unidentified Speaker, -
SPURTS. >> , THE KIDS? >> -- HOW MANY KIDS ARE, >> 3. THE BEST THING ABOUT THIS IS LIKE AN SCULP FAST AND LEAVE IT
|
| 00:22:36 |
Unidentified Speaker, -
ALONE FOR THREE DAYS AND COME BACK IN IT IS JUST THE SAME. NOTHING HAS CHANGED.
|
| 00:22:47 |
Unidentified Speaker, -
THIS TENDS TO BE THE TOOL USED LITTLE PIECES. THERE IS NOTHING SPECIAL. JUST A WIRE IN A CERTAIN SHAPE. AGAIN, MOST OF THE WORK IS WITH YOUR HANDS. >>...
|
| 00:23:29 |
Unidentified Speaker, -
DISTRACTION TO ME. I HAD
|
| 00:23:31 |
Unidentified Speaker, -
TO PULL OFF THE BOARD AND START FRESH. CLAY IS TOTALLY FOR GIVING. I AND THAT CHANGING EVERYTHING ALL THE TIME, SO ERASING IF YOU WILL, BUT THAT IS THE...
|
| 00:24:12 |
Unidentified Speaker, -
IT, BUT IT'S ABOUT ONE OF A HEAD OF ANYTHING? >> IT TENDS TO BE ABOUT AS MUCH AS A PORTRAIT. >>
|
| 00:24:26 |
Unidentified Speaker, -
YOU DID PORTRAITS FOR US AND YOU DID NOT CHARGES $35,000, BUT WE HAVE ONE OF THE LINCOLN PORTRAIT. THERE ARE RELATIVELY SMALL, BUT HE STILL DID 42 OF...
|
| 00:24:43 |
Unidentified Speaker, -
WHAT'S THE DIFFERENCE IN THE LINCOLN PORTRAIT AND WHAT WE SEE
|
| 00:24:49 |
Unidentified Speaker, -
IN THE LINCOLN STATUE? >> SCALE. BY NECESSITY, BOTH ON TIME AND NEED, THE PORTRAITS ARE SMALL. THE BRUSH STROKES ARE LOVE FAIRLY VISIBLE. THERE IS NOT...
|
| 00:25:13 |
Unidentified Speaker, -
ROOM FOR DETAIL. I HAD THE ADVANTAGE, WHEN I STARTED ON THIS, THE GREAT ADVANTAGE OF HAVING ALREADY DONE THE VISUAL RESEARCH ON FACES OF LINCOLN. ONE...
|
| 00:25:33 |
Unidentified Speaker, -
I KNOW IT IS A SUPPLY AND DEMAND WORLD WE LIVE IN, BUT $35,000 FOR A PORTRAIT TODAY, WHAT WAS TO HAVE BEEN CHARGING 10 YEARS AGO? I DO NOT>> I REMEMBER...
|
| 00:25:55 |
Unidentified Speaker, -
HOW YOU DETERMINE HOW MUCH? >> IT IS JUST A VERY GRADUAL GROWTH FOR ME. OTHERS HAVE DIFFERENT METHODS OF CHARGE IN WHAT THEY COULD POSSIBLY GET, BUT...
|
| 00:26:24 |
Unidentified Speaker, -
I THINK I DID ONE MORE SMALL PORTRAIT OF LINCOLN, BUT THAT IS THAT. SO, I CAN NEVER ANTICIPATE. >> WHAT ARE SOME OF THE OTHER PORTRAITS YOU HAVE DONE?...
|
| 00:26:40 |
Unidentified Speaker, -
MOST
|
| 00:26:45 |
Unidentified Speaker, -
YOU HAVE DONE? >> IT CAME ABOUT THROUGH
|
| 00:26:55 |
Unidentified Speaker, -
THE UNION LEAGUE CLUB IN NEW YORK. I HAD DONE A PRESIDENT REAGAN PORTRAIT OF THE HELD A COMPETITION FOR A PORTRAIT OF MRS. BARBARA BUSH. I GOT THAT...
|
| 00:27:15 |
Unidentified Speaker, -
ONE GREW FROM THE NEXT. THERE IS A PORTRAIT OF FORMER BUSH IN THE UNION LEAGUE CLUB >> THE BID ON MOST OF YOUR JOBS ARE THE PEOPLE COME TO UN COMMISSION...
|
| 00:27:57 |
Unidentified Speaker, -
THERE IS A POSSIBILITY FOR A LARGE EQUESTRIAN LIFE-SIZE AND A HALF COLONIAL FIGURE THE CURRENT E. THERE IS A POSSIBILITY OF AN IMAGE OF REAGAN IN THE...
|
| 00:28:47 |
Unidentified Speaker, -
I FOUND A LEGISLATOR AND SENT HIM A NOTE AND SAID IF THERE IS EVER ANY COMPETITION FOR WHOEVER WOULD
|
| 00:28:56 |
Unidentified Speaker, -
DO THIS, TO PUT MY HAT IN A. THAT IS ALAN STARTED. >> HOW LONG AGO WAS THIS? >> A YEAR
|
| 00:29:04 |
Unidentified Speaker, -
AND A HALF OR MORE. IT WAS THE END OF THE COMPETITION. THERE WERE THREE OF US THAT REMAINED IN HAD TO DO IT TO FOOT MODEL OF A STATUE.
|
| 00:29:22 |
Unidentified Speaker, -
I USED
|
| 00:29:24 |
Unidentified Speaker, -
THE SOFTWARE CLAY. >> YET TO TAKE YOUR OWN TIME TO BUILD A SMALL MODEL? >> YES. THE QUICKEST FOR A FULL FIGURE THAT I HAVE DONE SO FAR IS A COUPLE OF...
|
| 00:29:54 |
Unidentified Speaker, -
|
| 00:29:56 |
Unidentified Speaker, -
WHO IS MORE TO PAY FOR THAT RATE IN-- WHO IS GOING TO PAY FOR THAT REAGAN STATUE?
|
| 00:30:13 |
Unidentified Speaker, -
IT DEPENDS ON IF IT'S A FULL HUMAN BEING? >>
|
| 00:30:19 |
Unidentified Speaker, -
IT IS STILL IN FLUX RIGHT NOW. I AM NOT EXACTLY SURE. THE SCULPTURE JUST FINISHED THIS WEEK DID >>. I THINK HE APPROACHED A GALLERY
|
| 00:30:41 |
Unidentified Speaker, -
THAT WAS MY FIRST HOME GALLERY AND ON TO VIRGINIA. THERE WERE LOOKING FOR A PORTRAIT ARTIST. -- MY FIRST HOME GALLERY IN ARLINGTON, VIRGINIA. I HAD A...
|
| 00:31:30 |
Unidentified Speaker, -
BLANK CANVAS ARE MOVING PLAY AROUND. IT IS THAT PROCESS OF JUST WORKING THROUGH IT AND MOVING
|
| 00:31:36 |
Unidentified Speaker, -
THINGS AROUND TO TRY AND PULL THAT LIKENESS OUT. I
|
| 00:31:45 |
Unidentified Speaker, -
CANNOT EXPLAIN IT ANY OTHER WAY. THAT IS THE APPROACH. >> WHEN DID YOU TELL YOURSELF THAT THIS WAS FINISHED? >> IT WAS HARD. IT IS JUST LIKE IN PAINTING....
|
| 00:32:13 |
Unidentified Speaker, -
|
| 00:32:15 |
Unidentified Speaker, -
THERE ARE LOTS OF THINGS THAT I COULD BE PLAYING WITH ON THIS THEN. A LOT OF THE HERE AND THERE ARE SOME EDGES OF THE HAIR THAT ARE DISTRACTING, A LITTLE...
|
| 00:33:09 |
Unidentified Speaker, -
COUNTRY TOGETHER WAS SIMPLY AMAZING. TO BACK AND HAVE THAT ON HIS SHOULDERS, YOU CAN READ THAT IN HISTORY. HE WAS ALWAYS ABLE TO STAY THE COURSE. THAT...
|
| 00:33:55 |
Unidentified Speaker, -
SAW ONE IN HARRISBURG.
|
| 00:33:58 |
Unidentified Speaker, -
I WANTED TO SEE HOW HE APPROACHED IT. I HAVE SEEN LOTS OF
|
| 00:34:05 |
Unidentified Speaker, -
DIFFERENT IMAGES IN BOOKS. THERE ARE SOME GREAT IMAGES OUT THERE.
|
| 00:34:10 |
Unidentified Speaker, -
I'M PRETTY SURE THAT A LOT MASS HAS TO BE THE BASIS OF A LOT OF THE WORK OUT THEIR -- I'M PRETTY SURE THAT THE LIFE MASK HAS TO BE THE BASIS OF A LOT...
|
| 00:35:34 |
Unidentified Speaker, -
COMMENTED ON THE CHANGE OF EXPRESSION BECAUSE THEY WERE ABLE TO SEE IT AT EYE LEVEL AND THAT IS WHAT INTRIGUED THEM. THAT IS A SIGN OF A SUCCESSFUL WIGHTMAN'S...
|
| 00:35:51 |
Unidentified Speaker, -
THAT WE CAN DO THIS WITHOUT CAUSING TROUBLE, BUT IF YOU CAN TURN A, YOU CAN SEE IT FROM THE SIDE. WHAT DO YOU SEE FROM THIS SIDE TO CANNOT SEE FROM THE...
|
| 00:36:11 |
Unidentified Speaker, -
HUMOR PULLING IN HISTORY. >> WE WILL BE ABLE TO SHOW THIS NOW AND WE CAN EVEN TURN IT EVEN MORE. >> WHEN YOU GO UP TO LOOK AT THE LINCOLN MEMORIAL,
|
| 00:36:27 |
Unidentified Speaker, -
HE LOOKS DIFFERENT FROM EITHER SIDE. ONE SIDE LOOKS LIKE HE IS SMILING, AND THE OTHER SIDE LOOKS LIKE HE IS FROWNING. >>
|
| 00:36:37 |
Unidentified Speaker, -
THAT IS A CLASSIC BEAUTIFUL PORTRAIT MOMENT. >> HOW DO YOU DO IT? >> JUST
|
| 00:36:46 |
Unidentified Speaker, -
BY PLAYING AND MOVING THINGS AROUND. YOU CAN SOFTEN THINGS WITH A POOL IN THE CORNER OF THE MOUTH. LITTLE
|
| 00:36:58 |
Unidentified Speaker, -
CHEAP
|
| 00:37:03 |
Unidentified Speaker, -
GESTURESEK GESTURES. >>
|
| 00:37:07 |
Unidentified Speaker, -
WHAT GOT HIM TO MOVE TO THIS FOR THE WORLD? >> I AM NOT SURE. EVENTUALLY, THERE WERE TRADERS ON THE FRONTIER. THIS SETTLED IN THE PITTSBURGH AREA AND...
|
| 00:37:31 |
Unidentified Speaker, -
|
| 00:37:32 |
Unidentified Speaker, -
I WAS THERE FULL TIME FOR JUNIOR HIGH SCHOOL. I WAS BORN THERE AND THE WHOLE FAMILY IS THERE. EVERYONE IS STILL THERE. I GREW UP IN BELGIUM. >> WHY BELGIUM?...
|
| 00:37:50 |
Unidentified Speaker, -
HE
|
| 00:37:53 |
Unidentified Speaker, -
WAS STATIONED IN BRUSSELS. BRUSSELS BECAME HOME FOR PRIMARY SCHOOL. >> WANTED TO MOVE TO CHARLOTTE? -- WHY DID SHE MOVE TO CHARLOTTE? --
|
| 00:38:08 |
Unidentified Speaker, -
WHY DID YOU MOVE TO
|
| 00:38:09 |
Unidentified Speaker, -
CHARLOTTETOWN QUES? >> IS WORTHY OF THE WIFE
|
| 00:38:20 |
Unidentified Speaker, -
WANTED TO DO. >> WHAT WOULD YOU ADVISE SOMEBODY IF IT WANTED TO GET INTO THIS KIND OF BUSINESS, WHAT WOULD THEY DO? >> JUST DIVE IN. THIS DO NOT HESITATE...
|
| 00:38:40 |
Unidentified Speaker, -
MET THAT TOLD ME TO JUST KEEP
|
| 00:38:43 |
Unidentified Speaker, -
GROWING. --
|
| 00:38:48 |
Unidentified Speaker, -
ROWLIING. >> , TO THE MATERIAL COST? -- HOW MUCH DID THE MATERIAL COST? PROBABLY $100. >> WHERE DID YOU BUY IT? >> OF BUY THEM FROM SCULPTURE HOUSE IN...
|
| 00:39:15 |
Unidentified Speaker, -
JERSEY. >>
|
| 00:39:28 |
Unidentified Speaker, -
WHAT YOU WERE TO DO WITH THIS? >> I WAS ABLE TO BRING IT IN HERE BECAUSE IT
|
| 00:39:33 |
Unidentified Speaker, -
SURVIVED THE MALL PROCESS FOR IT HE IS THIS: TO BE WITH ME AND KEEP ME COMPANY IN THE STUDIO UNTIL THE PLAY EVENTUALLY DETERIORATES. I AM TOLD IS ABOUT...
|
| 00:39:49 |
Unidentified Speaker, -
THAT IS CO. FOR A WHILE. >>
|
| 00:39:51 |
Unidentified Speaker, -
THANK YOU. >> THE KEY. -- THANK YOU. >> NEXT, WE CONTINUE WITH PROGRAMS MARKING THE BICENTENNIAL OF ABRAHAM LINCOLN'S BIRTH. ALSO, CEREMONIES TO
|
NOTE: The transcript for this program was compiled from uncorrected Closed Captioning.